Kel Hasan Efendi, İsmail Dümbüllü, Münir Özkul, Ferhan Şensoy gibi Geleneksel Türk Tiyatrosu’nun ve tuluat sanatının ustalarının taşıdığı kavuğun son sahibi Rasim Öztekin, kavuğu Şevket Çoruh’a devredeceğini açıkladı.

Rasim Öztekin, Geleneksel Türk Tiyatrosu’nun önemli bir simgesi olan kavuğu, İstanbul Büyükşehir Belediyesi’nin destekleriyle 20 Eylül’de Harbiye Cemil Topuzlu Açık Hava Sahnesi’nde düzenlenecek törende Şevket Çoruh’a devredecek.

“KALBİM KAVUKLU OLARAK TİYATRO YAPMAMA İZİN VERMEDİ”

Kavuğu dört yıl önce Ses Tiyatrosu’nda düzenlenen törenle ustası Ferhan Şensoy’dan teslim alan Rasim Öztekin, yaşadığı kalp rahatsızlığı yüzünden tiyatro yapamadığını belirterek şunları söyledi:

“Kavuğu aldığım yaz, kalp yetersizliğinin yanına ciddi ritm problemleri de eklenince doktorum canlı performansı yasakladı. Kalbim, Kavuk’lu olarak tiyatro yapmama izin vermedi. Aslında bir bakıma kalp hastalığı nedeniyle çok sevdiğim tiyatrodan malulen emekli oldum. Projeyi, senaryosunu, çalışma koşullarını seçebildiğim, yorulduğumda dinlenebildiğim sinema ve dizi projelerinde yer alarak sanatın içinde bir şekilde var olarak moral buldum. Durum böyle iken, kavuğu çok bekletmeden bir tiyatrocu kardeşime devretmeye karar verdim.

ŞEVKET ÇORUH’A ÖVGÜ

Büyük özverilerle ‘Baba Sahne’yi’ kuran, zorlu koşullarda tiyatro yapmaya ve tiyatroyu yaşatmaya çalışan Şevket Çoruh’a Türk Tiyatrosu’na bugüne kadar yaptığı ve yapacağı katkılardan dolayı kavuğu devredeceğim. Tiyatroya gönül verenleri 20 Eylül’de Harbiye Cemil Topuzlu Açık Hava Sahnesi’nde gerçekleştirilecek Kavuk Devir Teslim Töreni’ne bekliyoruz.”

Türk Tiyatrosu’nun Güldürü Nişanesi

Dümbüllü’nün Fesi yıllar boyunca Türk tiyatro oyuncuları arasında geleneksel bir törende devredilir; bu fes ve kavuk Türk tiyatro oyunculuğu mirasını temsil etmektedir. Orta oyunu ve Tulûat (doğaçlama) sanatçısı İsmail Hakkı Dümbüllü, ustası Kel Hasan’dan devraldığı fesi, 1968’de oyuncu Münir Özkul’a devretmiştir.

Kel Hasan Efendi Kavuğu “Türk Tiyatrosu”nun güldürü geleneğinin nişanesi sayılmaktadır. Kavuk daha çok orta oyununu temsil eder. Kel Hasan Efendi Kavuk’u öğrencisi İsmail Dümbüllü’ye devretmişti. İsmail Dümbüllü ise bir dönem geleneksel tiyatro ile ilgilenen sinema sanatçısı Münir Özkul’a devretmiştir. Dümbüllü, Özkul’u 1967-1968 yılları arasında Arena Tiyatrosu’nda. ‘Kanlı Nigar’ piyesindeki ‘Kavuklu’ rolünde izlemiş; 1968 yılında Özkul’un yeteneğinin nişanesi olarak bir törenle Kavuk’u devretmiştir. Daha sonra Dümbüllü’nün kavuğu; Münir Özkul tarafından 1989’da Ortaoyuncular Tiyatro Topluluğu’nun kurucusu Ferhan Şensoy’a devredilmiştir. İsmail Dümbüllü’nün Münir Özkul’a devrettiği Hasan Efendi’nin kavuğunu Ferhan Şensoy, Rasim Öztekin’e devretti.

Fes ise Tuluat sanatını temsil eder. Fes aynı şekilde Kel Hasan Efendi’den İsmail Dümbüllü’ye daha sonra ondan Münir Özkul’a devretmiştir. Münir Özkul fesi daha sonra Müjdat Gezen’e devretmiştir.(Kavuk ile karıştırılmamalıdır, Münir Özkul kavuğu Ferhan Şensoy’a devretmiştir.) Son olarak Müjdat Gezen, geleneksel Türk tiyatrosunun son temsilcisi İsmail Dümbüllü’ye ait olan ve yıllardır kendisinde bulunan fesi ise, eski öğrencisi Şevket Çoruh’a devretmiştir.

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